Learning to fiddle fast

What I did with the creamer, I thought to do with my flowers on a larger sheet of paper.  These drawings are made on Strathmore 400 series 18 x 24  sheets.  It’s difficult to work as fast on the larger sheet — though I haven’t given up.  Without switching to other media, staying with my sharp and steady Dixon Ticonderoga pencils, I want to gain a greater ease and freedom with the larger scale drawing — approaching the subject in the same manner, with a point-and-shoot, see-it, draw-it swiftness only doing it bigger

This size sheet is too small for me to do this particular still life at actual size.  If I got a vase of flowers that fit into the 18 x 24 format, that might speed things up further.  (Let’s see, do I have any admirers who could send me flowers?)

(Um, no.)

Anyway, the first attempt is rather pointedly out of scale — a problem that would be fixed by switching to something smaller that I can fit into the sheet without downsizing (and we thought only corporations downsized).  In the second drawing, I was more self-consciously determined to deal with the proportions before scribbling into separate passages.  Nevertheless, mistakes or no, it matters not.  The point of this whole foray into drawing is that I shall have no fear, feel no scrupples, and draw until I drop.

I had a third drawing that I began last night under different illumination, and I would display it here — except — I dropped.


Art Quote du Jour

I was looking for a way to get work done without the burden of having to do anything good.  I wanted desperately to be good, of course, but whenever I sat down and tried to think of something that would be terrific to do, I couldn’t.  — Jennifer Bartlett  [as quoted by Calvin Tomkins in Jennifer Bartlett, Abbeville Press, 1985]