I have a still life going, but I can’t show it here yet.  These flowers are very shy, too shy to expose to light.  They are shade-loving flowers.  I make a grisaille of them using only black, white and Naples yellow.  Later there will be colors.  But I begin with a drawing-in-paint.  It’s a bit like this pencil drawing above, which I copied from Jan Bruegal — like this in hints of gold and silver though my flowers have an entirely different personality.

The flowers are an alter-ego.  They symbolize the way of being in the center of one’s own life, and having put oneself into a vase, watered one’s feet, having sought nourishment from air, from gravity’s pull, from the sun, from the rain washing over one’s face.  You put yourself into a kind of stance, a spot, that frankly says “this is me.”  That part, though very strange to admit, is necessary for being human — this having to confront the world with this identity that each one has.  Here I am.  I am on display (somewhat) but more mysterious than anyone ever knows.  Mystery to oneself as well.  And each one is thus ….

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3 thoughts on “Shade loving flowers

  1. Self as a mystery to oneself. Wonderful old problem.
    The mystic is content to bask in the wonder and revel in a mystery. He knows the temptation to strive for demystification, but within the mystery he sees the metaphor and understands it and knows his freedom to leave it at that. The scientist or the rationalist feels the same wonder, but he takes the mystery personally, he feels challenged and chooses to act on his desire to conquer the mystery. For the mystic, there is no separation between himself and the mystery. For the scientist, to look at a mystery is to look for a solution. He applies his method of questioning to the “problem”. He looks at what is contained within this limitation. The mystic knows: to see is to see the limitations themselves.

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