I painted the seashell and bottle together because I like the shapes of each. That’s why I bought the bottle (another of the thrift store hauls) and why I collect the seashells. I love their shapes and colors. Looking at their surfaces fascinates me. I like the color blue. I like the folds in a cloth. I like the random things that end up being the edges of the painting when you paint without a plan.
This is a little picture — only 9 x 12 inches — painted on Arches oil paper, which is a wonderful surface, enjoyable for the artist.
I began doing still lifes in a random way, choosing the object I wanted particularly to portray and letting the rest of the picture arrange itself according to the dimensions of the format, and now I love the randomness of it. The edges become a new area of exploration.
Some people climb mountains or dream astronaut dreams — I explore the edges of the painting — far more sedentary, much safer physically, but still wonderful — I assure you!
How does one express this love of the edges? Or of the spaces between things? Do you believe me when I tell you that they are marvelous territories?! And while I rhapsodize the edges, do not suppose that I oppose the middle — I like painting’s interior too.