I got into the habit of painting large pictures after I discovered that I could rehearse ideas by first making large drawings. And then the prospect of painting on a large canvas began to seem much less daunting. I knew that I could work out any problems or uncertainties using the less expensive medium. At first I even used cheap paper to make the preliminary drawings. Sometimes to make the sheet large enough, I taped together many smaller sheets. I got that idea from a cartoon by Carracci that I saw at the National Gallery of Art. It was one large image drawn on a sheet made from assembling many small sheets.
These days I use watercolor paper by the roll and artists’ crayons rather than crayolas. But I got my start with quite humble (and very amusing) beginnings.
Illustrated above is a large koi painting measuring 40 x 60 that’s almost complete, and a preliminary drawing for it that is slightly smaller, and which has undergone still further alterations, taking on a life of its own.
As to why I wanted to paint large, I think I merely wanted to surround myself with the images that I love — to be even more inside that world.