I love to draw. And I find that drawing helps me figure things out. For me, drawing represents one of the most direct forms of thought. So drawing the large forms of the landscape helps me rehearse an image prior to painting. I don’t always draw the scene first, but I often do and I always enjoy doing so.
For the garden picture I made three preparatory drawings, one which I’ve already posted. Each of the drawings are like line readings and with each I feel that I know the motif better — just as an actor learns the character’s lines.
It’s with the spare drawing above, though, that I felt I most understood the image. I wanted to be able to render it down to its essentials. And that makes me feel really prepared to cut loose when I start painting.
I sometimes make drawings after the painting is underway because in episodes of being away from the painting sometimes I feel that I lose the thread a little and drawing helps me get back into the world of the picture. I pick up the thread again.
Even the spare lines take me back into the world of the picture again too — not only into the painting, but in this case back into the garden.
The painting and a link back to the first preparatory drawing is located here: