I made a drawing of the compotier with lemons for the big painting. This quick drawing is on an 18 x 24 inch sheet of Strathmore drawing paper made using Neopastels. I had already made one study of the compotier in oil paint — and I’ll make others. Today’s light isn’t even right. I just want enough information to get the contours at least close enough for jazz. This one is close — still not right though it will be enough for me to use to paint some of the lay-in tonight.
The study in paint was more accurate in some respects, but it’s seen from the wrong angle. I set up a partial still life and also looked rather more closely at Bonnard’s image (I’m emulating Bonnard’s painting The Dining Room) and I find that I should be standing up when looking at the bowl. I was sitting for both the painting and the drawing, though I sought to prop myself up a bit higher for the drawing using a stool and pillows.
In any case I like the further engagement with the subject. It’s very satisfying simply to follow its lines and colors with the crayons.