studio on june 21

Even as I struggle to sort out where the still life objects will go, I realize there is still a way to get back into the painting:  I can work on the flowers.  They are the longing at the center of the whole.

If I find that I really need simply to paint, I can do that.  I can paint the flowers. I can also work more on the landscape seen through the window.

But I must be careful because even these distant features are influenced by the still life that will sit below — they are influenced and they will exert an influence.  The whole painting has to operate together as one comprehensive spectacle.


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