(almost) live blogging the Big Painting

studio assistant and other assistants tail

Junior studio assistant gives me a meaningful look while senior studio assistant (mostly unseen) smacks junior assistant with her tail.  (This happens a lot.)

big painting compotier going in

The blue compotier is starting to go in.

big painting flowers going in

The flowers also are starting to go in.  I use music stands to hold my studies.  It’s very convenient — and musical! — I feel like I’m playing the score while I paint.

All these study drawings and paintings are very useful.  I’ll be making more of them as the painting goes forward.  As more of the picture gets painted I’ll know what further information I need from the objects.

Any excuse to draw the frog teapot will do ….

weird and arcane things I must ponder

The bars framing the flowers on either side are products of Pierre Bonnard’s painting that I’m emulating.  They have no other referent.  They’re part of the structure of the window in the Villa Castellamare so I either make stuff up (which may happen) or I follow Bonnard’s lead.  In his painting the two beams are different colors due to alterations in light.  For the present I’m doing what he did so that the left beam is ochre colored and the right is bluish.  (It’s been a long time since I saw the actual painting so I have no idea what the real colors are and book illustrations always exaggerate.)

Anyway it makes me wonder what Bonnard was thinking.  Because the foreground things in my painting are all different from his — especially the flowers — I’ll have to adapt all the Bonnard elements to go with my changes.  All that happens later.

For now I had to decide whether the ochre creeps up and the blue creeps down — and I decided that they do.

Here’s Bonnard’s –

the bonnard painting dining room with window etc

a big painting is just many smaller paintings stitched together

big painting on july 27

Well, the big painting is back.  If you recall how it looked when I left it and compared that stage to how it looks above, you might wonder what all the fuss is about.  However, the renewed work is a big deal in terms of painting problems and their solutions.  I stopped work because I didn’t know where to put the foreground items, namely the famous froggie teapot, the blue jay figurine, the seashell and the black teapot (temporarily ochre colored in the version above).  I drew them over and over, recall, and posted the drawings here.  And you weren’t the least bit bored to see froggie teapot and the blue jay drawn again and again and again and again and again, were you?!

It does pay off though.  Let me tell you, putting that seashell in that spot, for instance, was an order of magnitude easier for having drawn the object so many times.  So, now that the painting’s things have places, I feel that the rest of the painting can proceed.  The great irony is that I have no idea what exactly the painting is going to look like.  I just know now that these particular objects are going to sit in those locations.  That difference, however, is enough that I can continue.

And whenever I get stuck on matters of detail, can you guess what I’ll do?  More studies! (Secretly, of course, I love drawing the studies — don’t tell anyone.)

I have 2880 square inches to fill with colors, doesn’t that sound wonderful ….

From my blog, I see that I began this project around the end of May.  July is ending.  That’s not a bad time scale for a large picture.  See, there’s another virtue in blogging, it helps you keep track of the days and puts things into better perspective.

https://alethakuschan.wordpress.com/2018/05/28/emulation/

Anyway, the real painting begins.  Wish me luck!

Here’s another link to an early stage of the picture:

https://alethakuschan.wordpress.com/2018/05/28/most-tentative-beginning/