The craggy, complex surfaces of the seashell are so mesmerizing and beautiful. It’s like a landscape of beautiful mountains. I never tire of drawing the seashells, studying their intricate forms. Master artists the little fellows who build these shell homes.
I decided to turn one of the seashell, ginger jar and honey pot drawings into a painting. And the first elements of the painting are blocked in.
But I have been unsure about aspects of the seashell, and since any excuse will do, I made the drawing at the top of the post as a study. It’s on Canson pastel paper, 16 x 12 inches and is drawn using Neopastels.
The drawing that forms the basis for the new painting is this one:
But I’ve also started drawing another version on the same size sheet (24 x 18 inches) in which the objects slightly smaller.
I work on the second version sometimes late at night. It gradually comes along. But though I felt this desire to do the second version, I knew I still wanted the objects to follow the size of the first drawing. So there are many versions. There’s also the drawing inside my brain, the one that is the neurological composite of the variations!
Another earlier version —
The pictures multiply ….