It’s been a busy, productive week. So busy that I didn’t do a “regular” post this week. I’m only here for my debrief. I’ve been working on the picture above, whimsically begun, based upon some little drawings and a dream. It measures about 38 x 40. Dimensions are not exact yet because it’s unstretched. The canvas is very rough and thus very well suited for dragged colors. It’s experimental. We’ll see what direction it takes.
I’ve been making little drawings to think about what the dream lake of shining light and clouds should look like.
Preexisting paintings have been coming along too. The suite of paintings of “hills,” all based the same composition photo collage, slowly evolve. Each one has a reference drawing that treats the motif a little differently.
The second hills picture is the one I’ve worked on the most this week. The painting measures 36 x 48 and the drawing (in neopastel below) measures about 22 x 30.
I began exploring a new motif. So far the images are not clicking. But it has been interesting to be back in R&D mode using neopastel. The two drawings are in the 18 x 24ish range, below.
Some of the color difference in the drawings comes from the radically different paper colors. The one above is drawn on a fairly dark maroon colored paper. The one below, on the contrary, is drawn on bright cream.
Maybe it was using neopastel again that got me thinking even more about dry pastel again. They can be really impractical in my small studio. But I have wanted to use them so much. I decided to just do it. Had to rearrange things a little bit, but that reorganization was more easily accomplished than I had expected. So I have done one small pastel (12 x 18) and started a second one. Below.
These pastels are made on sanded paper (UArt 500 grade) and I love the surface. What a delight it is to work in this medium. And the colors have a marvelous intensity.
I’ve decided to make dry pastel a staple. Since I’m doing paintings from drawings now, it would be simply crazy to eliminate a medium that I adore. So I have figured out a way to control the dusty pigment. I think another version of the “hills” theme would work nicely in pastel. I fished out a larger sheet of UArt 500 grade. Making this next pastel is near the top of the “To Do” list.
I took these photos. That’s a significant factor in one’s time management. Also took some photos that are not included at this post. It was a good photography session. Beautiful light outside.
A squirrel visited the window sill. Should have grabbed the camera, but don’t even think about such things. For some experiences words seem like the proper medium. The squirrel and I had something like a little conversation while he sat on my window sill. He was certainly aware of me and somewhat curious too.
Since the last debrief I also worked some on the two paintings below. Sometimes hopping from picture to picture is the way to get things done. Sometimes you have to be a bee.
The first measures 36 x 48 and the mountain below measures 30 x 40. The goal for the second painting is to bring it closer to its reference drawing. So I reworked it to make it less painterly and more linear. I think there’s more in that direction I would still like to do.
5 thoughts on “Third Note to Self (Friday Debrief)”
Definitely a success. How do you control dry pastels by the way? I rarely use them because of that. (K)
Control in this context has to do with the studio. I did a bunch of large pastels a few years ago where dust was a significant issue, but I just cleaned up each day, and I don’t recall how the dog’s presence influenced things. Even with large pastels, it was never as though the dust was hanging in the air or anything like that. At that time pastel was all that I was doing, no painting. But now I’m in small quarters and I definitely cannot have a large pastel set up along side the painting set up. But I found a way to organize the room where I can put the painting stuff aside easily, set up for pastel, work and return the room to painting set up. This was a small drawing so there wasn’t so much dust as to land on the paintings which are stacked here and there. My problem was more about putting the pastels onto shelves where they’re easily accessed and going back and forth between projects without too much bother. There’s a drop cloth that I put under the easel when I do pastel. And happily the dog hasn’t gotten pastel dust on her paws so far ….
The only solvent I use for pastel is an alcohol based workable fixative which is only lightly applied and is probably no more toxic than the hairspray that was commonly used by my mother’s generation. If I should need a permanent fixative for anything I would be applying that outdoors on a still day. But since these drawings are unframed and will be used as source images for painting, I’m just shaking excess dust off and then storing them flat with interleaving paper and I have assigned particular boxes for them so that I’ll be able to retrieve them. Don’t want them folding into the general archaeological chaos …. haha
That makes sense. Especially storing them by themselves.
These are so gorgeous, sumptuous. You’ve inspired me to dig out my pastels now
I’m glad to hear it, Rosie. Thank you. And happy drawing/painting.