My American Dream is to paint big pictures. As much as I’m able, I already do so. But I am also looking for the setting for the pictures — for the adventurous collector who wants a big koi pond for the indoors. These are not fish that you have to feed. These are fish that feed you — that feed your mind with dreams.
What sort of dreams, you ask? Dreams of swimming, dreams of water, dreams of the broad sky seen from under the water, dreams of the watery depths of feeling and imagination.
From drawing into painting, from many different sorts of drawings into paintings. The range of possibility is mesmerizing. There are so many lines, so many images. That’s the dream, I suppose.
I steal furniture. Fortunately, it’s virtual furniture so the theft gets carted away in bytes. I find rooms such as the lovely, quirky room above. Into such rooms I put my artwork so that people can get a sense of how a painting looks on a wall.
Because I love color, I particularly enjoy finding bold and cleverly colorful rooms. Finding a room as colorful as this one is a real delight. Strangely, it’s a fairly unusual occurence. It seems like most room decoration uses whites or neutral colors. Are people afraid of using bright color? I dunno. You can see how cheerful and welcoming this cozy room looks. I don’t know the identity of the designer.
The painting looks about the actual size relative to the couch. And here’s a view of the painting seen alone. Acrylic on canvas and available.
One of the ways I design koi images now is by combining little sketches in different, somewhat random arrangements to discover which overall pattern of fishes provides the most appealing composition. In these small drawings the goal is to get a large pattern established. Particulars of color, surface, anatomy or generalization, paint texture, etc. will all be sorted out later.
The finished painting might turn out to be quite large. So I spend time giving the drawing ideas a good stare to imagine how the imagery would look if expanded into a much larger format.
The fish placement isn’t really much different from putting fruits on a table to draw still life or to decide the relative positioning of anything that will create two dimensional movement across the picture plane.