Each day of late I have been drawing fruit in bowls or in the compotier, beginning drawing early in the day, then continuing drawing late at night. I reflexively follow the contours of the fruits, but I could — and should — generalize them more. If I want to be a good student of Cezanne, that’s definitely what I ought to do.
The more generalized they are, the more they are like other things — though I suspect that their metaphor potential doesn’t need to be stressed particularly since, if it’s present, it’s already hard-wired into the brain. Why do we like fruit, apart from its flavors and nutrition? How did fruits figure in so many myths? The subject has a certain je ne sais quoi from the get-go.
For me the fruits are visually most…
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