I’ve been away from wordpress because I’ve been busy housekeeping. Housekeeping is a humongous big job when you don’t manage it well, and since I spent decades ignoring the task, it has come back to bite me big time. But bit by bit, I bring the situation under control (thank you Marie Kondo). During my excavations, I have found some rather amazing things — amazing to me, naturally, since these things of which I speak are emblematic in my life.
So, for instance, I found the drawing above. It’s the earliest pastel drawing of mine that still exists. Not much in itself, but it’s something I made when I was still a kid. More significantly I realized that the drawing is actually a copy of another artists’ work and now I know who that artist was. It was Leonard Richmond who was author of a little pamphlet called “Landscape Painting in Oils” published by Grosset & Dunlap who put out a series of how-to books on art. Either I bought it or my father’s younger sister gave it to me (my Aunt Mary encouraged me to paint early on). Now I discover that Grosset & Dunlap “is a United States publishing house founded in 1898. The company was purchased by G. P. Putnam’s Sons in 1982 and today is part of Penguin Random House through its subsidiary Penguin Group.”
Here’s the image I copied:
Until my house cleaning, I would never have identified Leonard Richmond as one of my teachers — but I suppose he was not only my teacher but perhaps my first teacher. Thanks to the internet, I learn this about him:
“Leonard Richmond (AKA: Leonard “Slim” Richmond) was a British painter, graphic artist, illustrator, poster designer, educator, author, art critic and a Canadian war artist.
He was born in Somerset county (south west England). When not traveling, he lived most of his life in London, England and its environs.”
My guess, looking at more of his landscapes online, is that he liked the same artists that I like — Cezanne, Bonnard, Matisse, Corot, the Impressionists and similar painters. Since he died in 1965, he was probably already deceased by the time I encountered his art. The slim booklet is copyrighted 1962, but I wouldn’t have owned it then (I was only 7 years old).
So far as I know, I never actually read the book though it’s only 30 pages long including illustrations. I just learned from the pictures.
It amazes me how well the pastel held up. They were student grade pastels. The paper looks like newsprint but surely must be something else because though it’s yellowed, it’s not brittle. And the texture of the pastel surface suggests that I used a spray fixative which evidently didn’t yellow excessively. And the picture has been stored in an attic for decades so it’s amazing that it hasn’t been eaten by silverfish or completely disintegrated by heat and cold! Who knew that student grade stuff could be so durable … all the same for future work I think I’ll stick to my richer professional grade artists’ materials ….