I began two new paintings of the hills motif since the last debrief. The image above shows the second canvas in block-in, and a third version that’s underway is the most generalized of the group. More photos to come once the rain stops. Three neopastel drawings measuring about 23 x 29 provide the motif in each case. I liked the drawings enough to make each one the basis for a painting. These additional paintings switch the schedule around a bit. So the Hill & Shrubs canvas is still only in the first stage, and I began reworking the Mountain but am not finished with it.
I’ve been wondering what motifs to use in the next suite of drawings. Have been looking at Monet late works in search of ideas. Yesterday’s whimsical post on the UFO topic reminded me of Chang Dai-chien’s mountains, which I hadn’t thought about in years. So last night inspired by the memory, I began fooling around using the computer art program and created a few image ideas.
I have to do a long session of drawing before I can figure out an actual motif that I could use to create variations. Experimenting with images on the computer prompts ideas.
This morning I woke thinking about how easy it would be to apply the lighter yellow-white to the passage where the hill meets the sky (in the current painting). Doing all the obvious, easy things, step by step is how you move each project along. Eventually even the things that seemed hard will reveal their easy aspect. One decision moves you in the direction of other decisions, some of which will seem obvious and inevitable as the ideas congeal.
A documentary I was watching about Bonnard featured projections of his notebook drawings onto the wall of his studio.
I see the idea I’m looking for inside parts of things, as in the lower portion of the picture I already posted.
The Oriental spaciousness that Monet admired is there, most apparent when you crop the design into a scroll format. There’s another element that I find I want, but not sure how to characterize it in words as yet.
Large ribbed cliffside, growth of trees and shrubs at the bottom, suggestion of caves that St Jerome would have found congenial. Colors could change. A sort of acid, neon, copper, Flemish green in this version. Just thoughts now. Won’t matter until they become drawings. From drawings to painting.
Reminds me of sitting on the floor doing the large two part koi drawing. Sitting on the floor influenced the image considerably. It was not simply the only way I could manage the large sheets (at that particular time). It affected how the drawing proceeded because of the limits it imposed on what you could see while drawing.
The stretch of your arms, the angle of vision.