what to do, what to do

whole painting on may 23 (2)

Brainstorming

  • I can put more paint on the cloth in settled areas just to varigate the surface and to add further cover over earlier imagery
  • I can experiment with putting some of the design of the background blue curtain in it to see how the pattern would work
  • I can decide to paint over that tulip
  • I can decide to keep the tulip but join it to the bouquet
  • I can complicate the colors of the patterns in the green cloth even more just for the heck of it
  • I can continue developing the flowers, though I want to keep them painty and abstract
  • I can develop the bottom of the Limoges vase
  • I can figure out the area of cloth nearest to the Limoges vase
  • FIX the area of bouquet nearest to the vase rim — needs leaves, stems, something besides just the mass of dark green

My note to self above.

I rearranged the cloth again to get ideas.  I used crumpled craft paper to shape the mounds this time.  Got to remember that for future still lifes.

cloth rearranged further (2)

I’ve tinted the photo to have the cloth color match more closely the colors I’m using in the painting.  This is such a fabulous cloth.  One could make a wonderful painting of just the cloth.  Drapery as landscape.

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Today’s morning coffee drawing

This morning I draped my favorite cloth — the one with the pattern of big roses — over a chair and began drawing in a 9 x 12 notebook with a Uniball pen.

The drawing featured above was actually from my second cup of coffee.  For the first cup I made a smaller drawing of the same drapery.

Some mornings you have to wake up gradually.

Computerized

Ever since discovering, by golly, that our computer had photo collage software on it (who knew?), I’ve played around with images by combining things on the computer and then altering them via the computer’s many interesting graphic features.  This “fishwave” is one result.  A photo of a heavy drapery is blended with some pictures of koi swimming and all that has been run through the washer on the permanent press cycle until it looked as you see it above.  Sometimes I paint from images like this that I’ve created on computer.  After they become paintings, they can be photographed and rerun through the same computerized process again to be transformed into something else.   Metamorphosis.

Then, too, there’s the computer between the ears with which we can attempt daring things.