I only learned about Wenzel Hablik a couple weeks ago. His painting is on the cover of a book my daughter has been reading. Soon after I happened upon a video in French about an exhibit at the Musee d’Orsay called “Beyond the Stars. The Mystical Landscape from Monet to Kandinsky” and there was a curator standing in front of his painting, talking about it.
I had no idea it was so huge! My painting is pretty big too. Mine above, his below.
Indeed, he’s got something in common with a lot of things I have painted but I’d never heard of him until very recently. It’s always fun to discover things like this — things I love that I didn’t know I loved until now. More of mine below.
I didn’t think Frederick Remington was a real artist because he painted cowboy themes. I was that peculiarly annoying thing: an East Coast snob. But I was young. One must forgive the young for their annoying stances — especially when it’s your own young past self!
Anyway, I was at the Museum of American Art last weekend with an agenda: I wanted to make a drawing after Childe Hassam’s painting “Tanagra, The Builders” (which I posted recently). While I was there I also did a certain amount of wandering around and encountered this tour de force by Remington. It stopped me in my tracks.
In all humility I made a rapid sketch of the main horse, rapid because by that time I was supposed to meet some other people, and I only had a few minutes to spare.
I’m glad that I make these fast drawings these days. I used to feel intimidated and it cost me some wonderful opportunities. There’s nothing to lose and much to gain in simply drawing the world around you.