A friend said, “One of the biggest lessons to learn in art is to proceed fearlessly and to look at things in the light of making them more right.”
Why do we allude continually to our mistakes or to those things we perceive as mistakes? There is always the disconnect between intention and consequence. Though one uses the word “mistake,” and it carries all sorts of negative connotations, yet we need the word, we need to make mistakes, the mistakes are just the trace of however much striving an artist went through to get to a certain place.
You can guarantee that you’ll never make mistakes. It’s very simple. Attempt only easy things. As long as you do only those things you know you can do, you’ll never make a mistake — or hardly ever. Attempt that which you know to be challenging and you’ll be always making mistakes. And yet you will be always doing something new, always gaining skill and steadiness.
I have learned over the years to suspend judgement about what constitutes a “mistake.” If you press on, continually working to sharpen both your perception and your skill in putting things “where you think they are supposed to go” then interesting things can happen. There’s some editing in art — as in writing — that can wait. It’s like a wine, you have to allow it some time to cure. I draw, I put things aside to work on other drawings, and later I look at things to decide what’s what.
In any case, you cannot escape alterations between what you thought you wanted to do and what afterwards you discover you did, so you might as well plunge ahead and keep learning.